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"Turn Around & Say Good Morning To The Night"

El Capitan And The Sunset Storm — Yosemite Valley

Article: "Turn Around & Say Good Morning To The Night"

"Turn Around & Say Good Morning To The Night"

Bonum Mane Noctis: El Cap Sunset. Greg titled this image
Bonum Mane Noctis: El Cap Sunset. Greg titled this image "Bonum Mane Noctis" — the good morning of the night — a name that understands sunset not as an ending but as the moment just before a different kind of light begins. El Capitan's summit catches the last direct sun of the day in a color that has no useful name between gold and orange, while the valley floor below it has already moved into shadow — two separate light conditions separated by a few hundred vertical feet of granite. The image was made from El Capitan Meadow, the camera on a tripod, waiting for the color on the summit to intensify in the last minutes of direct illumination. The meadow itself was already dark when the shutter opened.

El Capitan And The Sunset Storm — Yosemite Valley

I was not much of an Elton John fan early in his career, but that changed over time. And on this evening standing at Tahiti Beach in Yosemite National Park, I watched the dull afternoon give way to an approaching storm behind El Capitan and the setting sun. And I was reminded of these lyrics from Mona Lisas & Mad Hatters.

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El Capitan seen again, in completely different conditions: El Capitan emerging from morning mist — the same monolith in a different light

Another view of the valley in late light: El Capitan and the Merced River at late afternoon

Another of Yosemite's fire-and-light events: Horsetail Fall — Not Exactly Yosemite's Legendary Firefall

Fine Art Yosemite Valley Photography Print

Provenance: Phase One XT | IQ4.150 | Rodenstock 32mm

Bonum Mane Noctis: El Cap Sunset

Greg titled this image "Bonum Mane Noctis" — the good morning of the night — a name that understands sunset not as an ending but as the moment just before a different kind of light begins. El Capitan's summit catches the last direct sun of the day in a color that has no useful name between gold and orange, while the valley floor below it has already moved into shadow — two separate light conditions separated by a few hundred vertical feet of granite. The image was made from El Capitan Meadow, the camera on a tripod, waiting for the color on the summit to intensify in the last minutes of direct illumination. The meadow itself was already dark when the shutter opened.

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