Deadvlei

Namibia is a country of many contrasts, not least of which is that there is a sharp line between the quick and the dead. And it is not always visible when one is about to step over it. I think it's that way in most deserts, from the Sahara to the Antarctic. Here, the wrong side of the line is visible everywhere. Being in it is unsettling.

Our artwork Deadvlei, inspired by and created in the Camel Thorn Valley, will soon be available in our Gallery.

Visitors walk among the blowing sand, the dead camel thorn trees, and beneath Namibia's dunes at Deadvlei.
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Deux personnes traversent la cuvette d’argile brumeuse de Deadvlei en Namibie, entourées d’arbres morts sous une grande dune de sable orange illuminée par le lever du soleil.

The camelthorn trees of Deadvlei died approximately 900 years ago when the Tsauchab River shifted course and cut off their water supply, and the extreme aridity of the Namib has preserved them perfectly ever since — black skeletons against a white cracked clay pan under a sky so blue it photographs as color-corrected. These trees are not fossils: they are simply dry. The pan itself is a former lake bed, the clay so alkaline that nothing grows in it, the surface cracking in the sun into polygons that could have come from a geometry textbook. The image holds the blackened wood, the blinding white clay, and the saturated sky in a single frame — a palette that requires no enhancement because the Namib provides its own.