One of the mesmerizing animal sculpture garden at the Oculus by the artists Gillie and Marc Schattner. Here, a rhino and dog pla
ID Photo : _DSC0934_HDR_Photodeck_Full_Rez_Export_night-at-the-oculus-occ
Etat du fichier : Final
Dimensions Photo : 60.2 Mpixels (172 Mo décompressé) - 9504x6336 pixels (80.5x53.6 cm / 31.7x21.1 pouces à 300 ppp)
Mots clés Photo : animal sculpture, oculus
https://d38zjy0x98992m.cloudfront.net/019e8911-798c-7d04-afa0-b3e4314ecf26/_DSC0934_HDR_Photodeck_Full_Rez_Export_night-at-the-oculus-occ_uxga.jpghttps://www.hammondraffetto.art/fr/-/galleries/structurae/-/medias/019e8911-798c-7d04-afa0-b3e4314ecf26/pricehttps://www.hammondraffetto.art/fr/-/galleries/structurae/-/medias/019e8911-798c-7d04-afa0-b3e4314ecf26/price

Night at the OCC

Santiago Calatrava designed the World Trade Center Transportation Hub — formally the Oculus, opened in 2016 — as a spine of white steel ribs 365 feet long, its roofline opening to the sky on the anniversary of September 11. In daylight the building reads as an enormous white wing laid over the transit concourse; at night it turns inside out, the ribs illuminated from within, the structure becoming a source of light rather than a receiver of it. Shot in HDR at night, the image holds the full tonal range of the scene — the deep shadows between the structural ribs and the near-white of the illuminated surfaces — in a way that a single exposure cannot, and what emerges is not an architecture photograph but something closer to an image of light organized by architecture. Calatrava has built transit spaces on several continents, but none with the particular weight of history that this site carries, and the night image holds that gravity: a beautiful structure in a place that earned beauty at a cost.