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Appareo II: Luminance Reductio

28 febbraio 2024

We love colorful landscapes, still lifes, portraits, and yes, dog and cat pics. But very often, we find that color takes something away from an image, distracts from its gestalt. Sometimes, color is itself the point of a piece, sometimes it distracts from the flaws in artistic composition (guilty on multipole counts here), and sometimes it reflects an artistic uncertainty about the point of a piece.

Today's image of El Capitan in Yosemite, emerging from the early morning fog and mist is titled Appareo II. The first Appareo is a work in color, but this is simple monochrome. No RGB. The tonalities in this work are measured entirely in degrees of luminance. In photography, there are 256 degrees of luminosity, ranging from black (0) to pure white (255). Everything in between is some greater or lesser expression of gray.

Yosemite is stunning in its colorful realism. For me, it is almost incomprehensible when defined entirely by its light.

El Cap in mist and monochrome.
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Suggestiva immagine in bianco e nero di El Capitan che si innalza sopra una foresta di pini avvolta nella nebbia e un fiume calmo nella Yosemite Valley, California.

In monochrome, El Capitan above the Merced loses its color and gains something else — a tonal gravity that makes 3,000 feet of granite feel like it has weight beyond measure. Greg titled this image "Appareo II," from the Latin for "to appear" — the wall emerging from cold winter light as something between geological fact and apparition. The reflection in the Merced is slightly imperfect, as still-water Yosemite reflections always are: a breath of current, a single ripple, the suggestion that even stone-still water is alive. Shot in the same conditions as the winter Valley View images — cold enough to slow shutter response and require deliberate, patient operation.

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